Recording The Beatles Book

Recording The Beatles From Curvebender Publishing

1. Find many great new & used options and get the best deals for Recording the Beatles: The Studio Equipment and Techniques Used to Create Their Classic Albums by Brian Kehew and Kevin Ryan (2006, Book, Other) at the best online prices at eBay!
2. Recording The Beatles is a book by Kevin Ryan and Brian Kehew, published by Curvebender Publishing in September 2006.Written over the course of a decade, the book addresses the technical side of The Beatles' sessions and was written with the assistance of many of the group's former engineers and technicians, chief among them Peter K. Burkowitz, designer of the REDD mixing console.

Recording The Beatles book - Curvebender publishing.Condition is near brand new. I opened it and thumbed thru it briefly maybe twice back when it first came out. All stickers and extra goodies are complete in their original plastic sleeve and taped to the outside of the hard shell case as shown. I've left this alone since the mid 2000's when these originally came out.

I had to clear off my writing desk to allow space for the over eleven-inch square, two-inch thick, 537-page Recording The Beatles tome written by Brian Kehew and Kevin Ryan. This archival masterpiece is the result of over ten years of excoriating research and dogged determination in the pursuit of the exact circumstances and studio methodology by which all the Beatle records came into being. As a recording engineer, I found this book to be a 'time machine'; it's a fascinating journey back to simpler and technologically primitive times where I could become a 'fly on the wall' during a Beatles session at the original sonic temple, Abbey Road studios in London, England. RTB works on many levels. Firstly, it is the ultimate reference that tells what equipment (microphones, tape machines, speakers, amplifiers, mixers outboard gear), musical instruments (the studio's and the Beatles'), personnel, production techniques (effects, studio setups, editing) and more that went into each and every Beatle recording.

Secondly RTB tells the story of the intense work ethic of the greatest Pop band that, despite the seemingly sterile and certainly colorless studio atmosphere at that time, managed to create their timeless music.

The book's Section 1 covers the history and personnel of Abbey Road with bios of all the Beatle's various engineers and tape operators. Section II covers the studio's equipment--mics, mixers, tape recorders and outboard. Section III schematically shows how to achieve the many original special effects the Beatles first used. Section IV, called Production, is probably the most interesting because it is a year-by-year history of the band's studio work starting with George Martin's reasons for signing them back in 1962. As George Harrison remarked: 'We recorded the first Beatle album in one day; the second one took even longer.' This section has drawings of the where each of the Beatles stood or sat, the position of their amps, sound screens, microphone placement and so much more.

With never-before-seen pictures of the Fab Four and other studio clients taken by Abbey Road staff and friends, an unprecedented level of technical detail of every mic, musical instrument and arcane recording studio device used, plus a devotion to accurately and fully document the (relatively) short time span the Beatles spent in the studio, Recording The Beatles is the ultimate in Beatle histories and a work of love by its authors. Ati radeon 5770 driver for mac. It sells for $100 and comes an assortment of many reproduced personal mementos of those times. From Curvebender Publishing at: www.curvebender.com
Recording The Beatles

Recording The Beatles Book For Sale

I had to clear off my writing desk to allow space for the over eleven-inch square, two-inch thick, 537-page Recording The Beatles tome written by Brian Kehew and Kevin Ryan. This archival masterpiece is the result of over ten years of excoriating research and dogged determination in the pursuit of the exact circumstances and studio methodology by which all the Beatle records came into being. As a recording engineer, I found this book to be a 'time machine'; it's a fascinating journey back to simpler and technologically primitive times where I could become a 'fly on the wall' during a Beatles session at the original sonic temple, Abbey Road studios in London, England. RTB works on many levels. Firstly, it is the ultimate reference that tells what equipment (microphones, tape machines, speakers, amplifiers, mixers outboard gear), musical instruments (the studio's and the Beatles'), personnel, production techniques (effects, studio setups, editing) and more that went into each and every Beatle recording.

Secondly RTB tells the story of the intense work ethic of the greatest Pop band that, despite the seemingly sterile and certainly colorless studio atmosphere at that time, managed to create their timeless music.

The book's Section 1 covers the history and personnel of Abbey Road with bios of all the Beatle's various engineers and tape operators. Section II covers the studio's equipment--mics, mixers, tape recorders and outboard. Section III schematically shows how to achieve the many original special effects the Beatles first used. Section IV, called Production, is probably the most interesting because it is a year-by-year history of the band's studio work starting with George Martin's reasons for signing them back in 1962. As George Harrison remarked: 'We recorded the first Beatle album in one day; the second one took even longer.' This section has drawings of the where each of the Beatles stood or sat, the position of their amps, sound screens, microphone placement and so much more.

With never-before-seen pictures of the Fab Four and other studio clients taken by Abbey Road staff and friends, an unprecedented level of technical detail of every mic, musical instrument and arcane recording studio device used, plus a devotion to accurately and fully document the (relatively) short time span the Beatles spent in the studio, Recording The Beatles is the ultimate in Beatle histories and a work of love by its authors. Ati radeon 5770 driver for mac. It sells for $100 and comes an assortment of many reproduced personal mementos of those times. From Curvebender Publishing at: www.curvebender.com
Recording The Beatles

Recording The Beatles Book For Sale

• Media >Book / eBook

Trust tablet for mac. Could this be the definitive guide to the Beatles' recording sessions?

The KLF, in their book The Manual (How To Have A Number One Hit The Easy Way), say: 'You will find engineers everywhere trying to impress you with the fact that Sergeant Pepper was recorded on a four-track. This is of course as relevant as the fact that no JCBs were used in the construction of the Great Pyramid.' Best free games for the mac.

Every engineer knows about Pepper being done on four tracks. The more intelligent engineer will have realised that there were perhaps other factors involved in making Beatles recordings what they are: room ambience and probably lots of boxes with valves, that sort of thing. But it's actually very hard to find concrete information about how these recordings were made, and what they were made with. Until now, that is..

Much as archaeologists have spent no end of time investigating the mechanics involved in building a pyramid, Kehew and Ryan have made it their business to find out everything there is to know about the the methods by which the Beatles' music was recorded. Of course, given that this took place considerably less than 4000 years ago, and that most of the people involved are still very much alive, their task was probably a great deal less speculative than that of the archaeologists. After all, you're going to get much more definite answers if you can talk to the people involved and look at the equipment they used than you will if you're sitting around looking at a 40-ton block of stone and trying to work out how a bunch of guys in loincloths, with no JCBs, managed to move it about and use it to create pleasing geometric shapes.

Recording The Beatles is a huge book, and there's a simply awesome amount of information collected within its 500+ pages. It is the result of over a decade of research, in which Kehew and Ryan tracked down and interviewed as many ex-EMI staff as they could find, located and photographed examples of nearly every piece of studio equipment in use at Abbey Road between 1962 and 1970 and spent countless hours investigating the contents of EMI's archives.

The book is divided into four sections. The first looks at the design and construction of Abbey Road itself, and at the different roles of the various studio personnel. The second section is about recording equipment, and features an enormous collection of highly detailed (and clearly labelled) photographs, as well as a wealth of information about each piece — much of it provided by the people responsible for using, maintaining and, in some cases, actually building the equipment. Section three follows a similarly detailed format, but looks at effects and instruments belonging to Abbey Road and also at other studios used by the Beatles during their career.

Section four is about the actual production of the Beatles' records. There is a chapter for each year from 1962 to 1968, and a joint chapter for 1969 and 1970. Each chapter looks at the general techniques being used during that year and also features 'A Closer Look' sections which explore specific songs from that year in greater depth. The sheer volume of information doesn't let up here either, and the section is awash with 3D diagrams of studio layout, track sheets, photographs to show things such as drum mic placement, and lists of the equipment and instruments used during the sessions.

I expect that this last section will generate the most interest among prospective readers — and it doesn't disappoint. But it's the preceding sections that really make it work: all of the background information places the content of this section in context, and gives you a clear understanding of how these records were actually made.

Apart from the stunning amount of data contained in this book, the other striking thing about it is how fluently written and well laid out it is. Given the amount of technical facts here, you might expect a book that is rather dry in tone, but this is simply not the case — largely, I suspect, as a result of the authors' boundless enthusiasm for their subject. While you could use the book as a work of reference — something to be dipped into at random or to answer a specific question — I'd be surprised if most readers did not end up going through it from cover to cover. It really is that enjoyable.

Many of the techniques and processes we take for granted in the modern studio were pioneered by the people who recorded the music of the Beatles. This book gives a fascinating and unique insight into how they worked, how their equipment worked and how they used it to create not only the records we know so well, but also music recording as we know it.

Kehew and Ryan should be immensely proud of what they've achieved here: a vast, in-depth and amazingly well researched document of recording history. Recording The Beatles is a feat which is surely on a par with working out how to build a pyramid with a less than adequate number of JCBs.

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Beatles Recording Gear

Recording The Beatles by Brian Kehew and Kevin Ryan (ISBN 0978520009), $100.